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Was 'You Can See Everything' a good movie?

Posted 10/16/2026



Directed by Nathan Fielder and Lance Oppenheim, You Can See Everything is a gripping surrealist documentary that serves as a tense companion piece to the modern tech era, chronicling the high-stakes fallout and intimate decline of one of history's most infamous corporate frauds. The story follows the surreal dynamic that unfolds when Theranos founder Elizabeth Holmes grants a film crew unrestrained access to her private life in the final 34 days before she surrenders to federal prison to begin an eleven-year sentence.

As the narrative unfolds, the film explores the massive psychological exposure and meta-narrative shockwaves triggered when co-director Nathan Fielder moves into the California estate Holmes shares with her hotel-heir partner, Billy Evans. What begins as an attempt at a self-serving redemption arc quickly devolves into an uncomfortable, agonizingly intimate three-year investigation into perception, performance, and truth, blending raw fly-on-the-wall footage with bizarre, meticulously produced re-enactments.



The drama builds toward a staggering public reckoning, examining the heavy personal sacrifices, deep denial, and unshakeable self-delusion required to maintain a massive lie, alongside the systemic challenges of holding charismatic corporate figureheads accountable in the wake of catastrophic failure.

The film features a unique hybrid ensemble cast, starring Elizabeth Holmes, Nathan Fielder, and Billy Evans portraying themselves, alongside Amanda Seyfried as a meta-recreation of Holmes and Christopher Abbott portraying Billy Evans in dramatic restagings. Blending excruciatingly awkward encounters with mounting investigative dread, the movie captures the chilling reality of manufactured public personas, framing the battle for truth and self-perception as one of the defining struggles of the modern era.

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